Review – Dissecting the Laurent Ferrier Montre Ecole in Steel to Understand the Meaning of Haute-Horlogerie

Review – Dissecting the Laurent Ferrier Montre Ecole in Steel to Understand the Meaning of Haute-Horlogerie

This article previously began its life as an old style review, as we like to do here , on Monochrome. Nonetheless, as I was attracting it my psyche, I immediately comprehended that the  Laurent Ferrier Montre Ecole was an ideal piece to accomplish something marginally extraordinary, to compose an article with an alternate design. Indeed, we regularly have inquiries concerning how top of the line watches can cost such unfathomably exorbitant costs. Indeed, today, by appropriately analyzing this Montre Ecole, I’ll plan to clarify why a 3-hand watch in impeccable steel can be evaluated CHF 35,000 – and we’ll find that it’s about the littlest details…

A Quick Look at the Laurent Ferrier Montre Ecole

It must be remembered that Mr Laurent Ferrier is, most importantly, a watch energetic. He has spent his whole vocation zeroing in on made watches – he was the innovative overseer of Patek Philippe, a company for whom he labored for a very long time. At the point when he made his own image, he attempted to emphasize this enthusiasm in his watches, with a few thoughts: a basic, refined and very perfect plan, somewhat vintage-roused and with pocket watches components, in an appropriate Haute-Horlogerie concept, with brilliantly completed and designed developments, all with imaginative specialized features.

Today’s Laurent Ferrier Galet Micro-Rotor “Montre Ecole” is, in its shape and plan, a solid recognition for Ferrier’s school years and to the spearheading watchmakers who changed over pocket watches into wristwatches. The outcome can be seen with a case which is not the same as the 2 others observes effectively present in the assortment: the Galet and the Galet Square. The Montre Ecole is unadulterated round, with carries that appear as though they’re added to the case, much the same as changed over pocket watches. There’s a solid vintage offer in this watch, albeit not from the typical 1950s or 1960s watches, but rather unmistakably from the beginning of the wristwatches. It is accessible in 3 forms: treated steel, white gold and red gold.

Inside the case is Laurent Ferrier’s signature development, a micro-rotor motor, with its silicon escapement’s twofold direct-motivation on the offset and with pawl-fitted miniature rotor, and completely twisted putting away 72 hours of force hold. While the gold adaptations highlight a traditionally finished development (Geneva stripes and rhodium plated bridges), the steel form of the Laurent Ferrier Montre Ecole is somewhat extraordinary. The decision was made to have a (slightly) harsher design, reviewing the first materials utilized for prototyping, like metal, which offers a difference with steel. Further hand-completing abilities applied to the development incorporate shot-impacting, known as microbillé, which gives it this matte, practically incomplete look.

On the wrist, indeed, we have an amazingly rich watch, which feels both present day (thanks to the 40mm diameter), proportional (a pleasant harmony between the width and the thickness, at 10.95mm) and such by and large tact that you’ll possibly perceive its importance on the off chance that you have a solid information in watches – and obviously, this is genuine polish. As consistently with LF watches, the comfort on the wrist is extraordinary, as the whole case is adjusted and doesn’t have a solitary sharp edge – it’s the sort of watch that you lash on and could fail to remember following 5 minutes, if there wasn’t this heavenly design.

However, the entirety of this isn’t the purpose of this article. As said, the Laurent Ferrier Montre Ecole in Steel is estimated at CHF 35,000/Euro 33,000. A serious steep cost for a 3-hand watch in a commoner metal… This is the specific motivation behind why such watches should be clarified, to be found, to be investigated with a loupe, to uncover their excellence and the handwork done in the littlest subtleties of their case, their dial, their hands or their development. Here, you’ll see what customary Haute-Horlogerie means.

The Case

We’re going to do this crescendo, moving from huge to little subtleties. To start with, the case. From the outset, the instance of the Laurent Ferrier Montre Ecole (whatever the rendition, they all offer precisely the same plan and finishing) is incredibly basic. It seems like an inside and out piece, in 3 sections: bezel, focal compartment and caseback. Truth be told, it is a smidgen more complex than that. While the Galet and Galet Square have a practically consistent reconciliation of the bezel and the focal holder, the Montre Ecole has an alleged bassiné case (this shape alludes to antique pocket watches that embraced a round, ovoid shape when taken a gander at from the side, without a solitary level surface, all together not tangle the inside of the pockets), with more keen characterizing lines between the parts, and carries that are not made in progression with the casebands.

When took a gander at from the side, we can see that there’s a little, vertical isolating line encompassing the bezel and the caseback, to vivify the generally speaking extremely ovoid state of this watch – each surface is generally raised, giving this smooth style to the watch. This small separating line, practically undetectable from the outset, is additionally completed in an unexpected way, with a roundabout brushing, and not cleaned like the remainder of the case.

Also, the carries of the Montre Ecole are presently straight and slender, and chiefly they are not really incorporated into the caseband. All things being equal, they show an unmistakable boundary with the remainder of the case, as though they were added later, much the same as early wristwatches, which primarily were changed over pocket watches. This detail, as dumb as it appears, needs, truth be told, more consideration when cleaning the case, all together not to break the angles.

Finally, there are the “pastilles” on the tip of the carries – some will know them as “cabochons” – which offer reverberation to the winding crown. At long last, there’s the caseback, with a sapphire precious stone. Nothing unique you’ll advise me, anyway there is one little detail; the domed profile of this sapphire gem which improves things significantly when wearing the watch. It feels smooth and wonderful on the skin. I realize it has nothing to do with Haute-Horlogerie, yet it shows an incredible thought to comfort.

The Dial and Hands

Let’s presently move somewhat more profound into this watch, at this point seeing a few subtleties of the dial, the hands and the files. Don’t be tricked by the perfect and controlled look of this Laurent Ferrier Montre Ecole, it has a ton to display.

  • The dial

As referenced before, this watch is about straightforwardness. It has a moderate way to deal with the plan that centers around the fundamental, on the nature of the execution, on the respectable materials and on the subtleties (some practically difficult to see without a loupe or large scale shots), instead of communicating extravagance by being garish. The dial of the Montre Ecole, particularly the steel form, is for sure moderate. It shows one remarkable completing, a straight, vertical brushing, on the whole surface – aside from the sub-dial for the running second of course.

Yet, this dial is more energetic in the metal than it feels from the start. It must be knowledgeable about common light to perceive how it can change tone, from a chilly, blue-ish silver tone, to pink, yellow or green reflection relying upon the surrounding light. In specific conditions, for example, the picture you can see above, it is warm, smooth and more obscure. In different conditions, as on the photograph beneath, it becomes considerably more metallic and the brushed surface shows up rougher.

As for the sub-dial at 6, it has a combination of concentric example in the middle and roundabout brushing on the outskirts. Nothing exceptional except for an extremely exact execution once more. Noticed nearer, the dial uncovers its subtleties. In the first place, the brushed surface and the printings (see below). The brushing applied on the dial is finely executed and can be practically undetectable in specific conditions. Notwithstanding, this is the thing that gives the Montre Ecole such evolving reflections. At that point, there is the writing on the content, which is exactly printed.

As basic as it feels from the outset, this dial is surely wonderful and combines an extraordinary watchfulness when seen on the wrist of its wearer, yet it uncovers first rate subtleties when seen with a loupe.

  • The “assegai-shaped” hands and the indexes

On every one of his manifestations, Laurent Ferrier utilizes its particular hands, alleged “assegai-shaped” (at least for the hour hand, the moment hand is an old style leaf-molded one). This name alludes to an old sort of weapon, near a cutting edge spear. Aside from their shape, it’s more the execution of these hands that intrigues. They are created in 18k white gold and deliberately molded and polished.

A more critical look uncovers an immaculate cleaning. Indeed, even the middle piece of the hands named the “canon” is greatly chamfered and cleaned. The last stunt comes from their shape, as these hands are not level but rather domed, implying that they must be cleaned by hand…

The same scrupulousness can be seen on the records. Once more, albeit very straightforward in appearance, they likewise require persistence and prepared hands to be created, formed and cleaned. The magnificence of this watch isn’t in being decisive,  in uncovering excessively fast what it is… It has some artfulness, some delicacy, that will be seen exclusively subsequent to investing some energy with it… A cozy joy, held to its wearer.

The Finishing of the Movement

  • The specialized solutions

Let’s presently move to the opposite side of this Laurent Ferrier Montre Ecole and investigate the movement… in light of the fact that plainly, this is the place where the cost completely becomes defended. Above all else, this 3-hand development isn’t any sort of programmed development. It depends on a particular engineering and uses creative arrangements. The first is the utilization of a miniature rotor, in lieu of the standard focal rotor. This miniature rotor, with a pleasant sun-beam design, utilizes a unidirectional pawl-fitted winding framework. While not new in watchmaking, this design stays more complex to make than a customary programmed movement.

Then, there’s the unique silicon escapement highlighting a twofold immediate drive on the equilibrium. The managing organ highlights not one but rather two break wheels (one is obvious in the photograph above in dim blue, under the equilibrium wheel). This implies that this escapement can give two motivations for every swaying (1 wavering = 2 vibrations), twice as much as an ordinary switch escapement. Along these lines, the development’s recurrence of 3Hz (21,600vph) permits impulsing the equilibrium 21,600 times each hour. This inventive development, combined with the utilization of forefront materials, augments energy proficiency, subsequently ensuring a high adequacy of the equilibrium. This, thus, decreases the measure of mechanical power needed to wind the origin and improves winding.

  • The completing of the principle plate and bridges

As you can see on the pictures, the development of the Steel Laurent Ferrier Montre Ecole is very not the same as the standard “Swiss-made” development. No Geneva stripes here, no rhodium-plated spans. All things considered, Laurent Ferrier decided to utilize an outwardly harsh adornment, named microbillé or shot-impacted. This matte, nearly glazed surface is acquired by splashing some little chunks of glass or sand on a superficial level. However, what is interesting here is that this activity should be applied before the development is finished… implying that when the watchmakers are cleaning the sinks of the chamfers, they need to take incredible consideration not to scratch the shot-impacted surface.

  • Anglages, angling, chamfering, dark polishing… Decoration 101

Let’s presently move to macro… and investigate these little subtleties that lone watch darlings will perceive. The first being the anglages applied on the edges of the scaffolds. See below:

The photograph above is an ideal showing of the distinction between modernly created developments and hand-embellished ones. An exemplary in development design is to chamfer the scaffolds, by applying a bevel on the edges of the extensions, with an equivalent point (all in all 45°) and width. On extravagance watches, this is finished with a jewel apparatus that shapes and cleans the surface. Here, you can undoubtedly see that the anglage is done physically, first as a result of the inward points (sharp, acute point obvious on the correct side of the jewel) that no machine can clean. At that point, there’s the real state of this slope, which has an adjusted surface – a conventional beautification procedure that requires extraordinary abilities and a ton of tolerance. Just a modest bunch of watchmakers actually do it in present day watches (think Dufour, Voutilaiinen, Gauthier…)

That same photograph likewise uncovers 2 different subtleties: the chamfered wheels – again just conceivable by hand – with a round brushed surface, and the cleaned sinks – a curved chamfer around the gems is cut and afterward cleaned. That being said, in the event that you take a gander at the photograph above, do consider that it has been zoomed around multiple times compared to the genuine size of this sink… And we’ve seen a couple of developments that show such immaculate cleaned surfaces.

Another feast for epicureans are the steel parts which difference well with the crude metal surfaces of the scaffolds. Once more, they have been finished in the most ideal manner. As you can see on the pictures, they show a supposed dark cleaning. Dark cleaning is utilized to get a completely smooth surface of the steel parts, which in return mirror the light like a mirror or seem dark when looked from a specific angle. Such cleaning requires a totally level surface, with not a solitary abnormality or adjusted point on the part being referred to (the edges of the part should be entirely level as well) and light reflections should be one single way, in any case the “black effect” won’t show up. This procedure is tedious (think a few hours for a solitary bridge) and requires skilled hands to get a completely level and faultless surface.

These steel parts likewise uncover amazing anglage work… The method is equivalent to the one depicted for the scaffolds, yet the scale is much more modest, as the part on which the watchmaker works is more modest as well. Indeed, simply take a gander at the exactness and the sharpness of the interior points on the cockerel connect (the connect that holds the equilibrium wheel) of the Laurent Ferrier Montre Ecole… Sometimes pictures are better compared to words.


After this exposé, it’s presumably a bit much any longer to say how delightfully executed this watch is. The photographs talk for themselves. This Laurent Ferrier Montre Ecole, similar to any remaining watches from the brand, is in reality amazingly nitty gritty. Presently, this contextual investigation may open the eyes of some that still scarcely see how a 3-hand watch in steel can be valued at CHF 35,000. On the off chance that this equivalent watch, with similar specialized arrangements and generally speaking shape, would have hands gotten by a stepping cycle and a development enriched by the mean of machines, it would absolutely cost half of this cost – or perhaps less. Nonetheless, the contrast between this watch and a watch from a standard brand is in assembling time… Labor time utilized by watchmakers and finisseurs to acquire a particularly level of details.

More subtleties on .